The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

The glorious collaboration between composer Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte began with Le nozze di Figaro. The story starts with an apparently simple desire – Susanna and Figaro want to get married – and soon degenerates into an intrigue comedy that takes us, in one crazy day, through doors, out a window, to the army, through a courtroom and into the garden. The count appears to have designs on Susanna; The countess misses the count; Marcellina demands Figaro; Bartolo is out for revenge; Cherubino actually wants all women; Antonio is attached to his carnations and something drives Don Basilio. Can you still follow? If not, no worries: Tom Goossens is the ideal director to unravel all those threads once and for all with comic precision. And among all those complications, Mozart knows how to stack up the musical highlights like no other, this time interpreted by audience favourites such as Eleanor Lyons, Kartal Karagedik and Anna Pennisi.

Philippe Herreweghe lets the choir and orchestra shine in one of the great favorites from the choral repertoire.

Philippe Herreweghe lets the choir and orchestra shine in one of the great favorites from the choral repertoire.

Philippe Herreweghe lets the choir and orchestra shine in one of the great favorites from the choral repertoire.

With over 200 singers, musicians and dancers, this powerful production of Verdi’s Requiem will be remembered for years to come.

With over 200 singers, musicians and dancers, this powerful production of Verdi’s Requiem will be remembered for years to come.

With over 200 singers, musicians and dancers, this powerful production of Verdi’s Requiem will be remembered for years to come.

With over 200 singers, musicians and dancers, this powerful production of Verdi’s Requiem will be remembered for years to come.

QSO’s famed Maestro Series opens on 17 February with three performances of ODE TO JOY – a concert for the ages.

QSO’s famed Maestro Series opens on 17 February with three performances of ODE TO JOY – a concert for the ages.

QSO’s famed Maestro Series opens on 17 February with three performances of ODE TO JOY – a concert for the ages.

The Tasmanian Symphony Orchestra (TSO) has been the hub of concert life in Tasmania for over 70 years.

A night of operetta fun to see in the new year!

A night of operetta fun to see in the new year!

https://www.mdr.de/konzerte/konzertkalender/konzert3974_calType-cal_day-25_month-12_year-2022_zc-20920745.html

Tickets available here!

https://www.operaballet.be/en/programme/faust

Tickets available here!

https://www.operaballet.be/en/programme/faust

Tickets available here!

https://www.operaballet.be/en/programme/faust